On the D-train,
a full can of grape soda
slowing rolls by,
leaving a long trail
of liquid blobs like footprints across
the floor of the subway.
The shapes slowly morph
from the momentum of car,
eventually fusing together
into a long, expressive
set of lines. It is a kind
of writing. It seems to be
full of meaning,
and people look at it,
and step around it.
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